By Zhaoming Qian
In East-West trade and overdue Modernism, Zhaoming Qian
examines the character and volume of Asian impact on a number of the literary masterpieces of
Western overdue modernism. targeting the poets William Carlos Williams, Marianne Moore, and Ezra
Pound, Qian relates desirable tales approximately their interactions with chinese language artists and
students and exhibits how those cross-cultural encounters helped ignite a go back to their early
experimental modes. Qian’s sinuous readings of the 3 modernists’ final books of
verse—Williams’s images from Brueghel (1962), Moore’s inform Me, inform Me (1966), and
Pound’s Drafts and Fragments of Cantos CX-CXVII (1969)—expand our realizing of late
modernism by way of bringing into concentration its heightened awareness to which means in area, its obsession
with creative sensibility, and its elevated admire for concord among humanity and
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